english essay about zines - culture values of zine

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RPAssignment1.pdf

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Zichun Gao

professor Kaz

English 1A

13 May 2020

Annotated Bibliography:​The Cultural Value of Zines

Kristopher Jansma "you say you want a revolution? Zines at the Brooklyn college

library."vice 22 oct 2012,

“​https://electricliterature.com/literary-artifacts-you-say-you-want-a-revolution-zines-a

t-the-brooklyn-college-library/ (Links to an external site.)

Kristopher Jansma is an American fiction writer and essayist. Born in the Lincroft

section of Middletown Township, New Jersey, he attended Johns Hopkins University

and Columbia University.Kristopher Jansma wrote that Brooklyn College curator

Alycia Sellie said that zines was a DIY art from the beginning, composed of

appropriate text and images, and finally composed of scissors and glue. The "zinc acid

esters" they collected represent every element of this society, and these views are not

inconsistent with the articles we discussed earlier. And I also think this article is the

same as I thought. One writer in the article stressed the importance of seeing “real

handwriting” all over the finished product, saying that it was a lot more fun to cut

things out of magazines than to write in HTML. She compared the experience of

assembling a zine to the primal thrill of hunting and gathering, and confessed to “the

idealistic notion that [she] could feed everyone with what's inside.” (Kristopher

Jansma 2012) He talked about the social unrest and cultural war in 1990. The younger

generation of artists began to move away from the mainstream. At this time, zine was

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established to let people hear and see the mainstream. For other events, dare to face

reality, do not be led by others, firmly believe that you are right, and contrary to social

ideas is not necessarily wrong. "Are librarians drawn to zines because they recognize

in these bizarre, photocopied publications the passion for freedom of expression tha t

they themselves so proudly stand for?" (Kristopher Jansma 2012) I will use the views

of the author of this resource on zine and his In the history of how zine was

mentioned in, I think this article is very consistent with the views I want to express.

Gamble, Ione. “How Feminist Zine Culture Has Evolved.” ​Vice​, 14 June 2018,

www.vice.com/en_us/article/wjbbbb/how-feminist-zine-culture-has-evolved (Links

to an external site.)

Ione Gamble is editor and writer based in London. She is the editor of Polyester zine,

With a focus on contemporary feminism, arts and culture and identity; I also regularly

freelance for both print and online publications, including Vice, Noisey, Huck

Magazine Dazed , iD, Riposte, and more. This article is also Ione Gamble discussing

her own the culture of women's magazines.mainly about the her feminist art and

magazines The views of many years of research. The article mentioned that after

2000, the content of high -priced magazines and politicized magazines began to blur,

and a new era of female-led magazines began to be ushered in, combining the high

output value of magazines with feminism. The focus is on visual effects, rather than

the previous DIY cut and paste but mainly on content. "Zines obviously create

alternative visual viewpoints to mainstream representation and put marginalized

bodies front and center." (Lone gamble 2018) I will be in my essay The use of this

resource in t h e magazine has shifted from manual art to mass production and is

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centered on feminism. This historical change is something I think is worth writing

into my essay.

Staples, Jeremy. "Puke Dongs & Copier Jams: Zine Culture Down Under."​ Broken Pencil​,

no.

69,Fall, 2015, pp. 72​. ProQuest​,

https://login.ezp.pasadena.edu/login?url=https://search-proquest-com.ezp.pasadena.ed

u/docview/1728292080?accountid=28371​.

Jeremy Staples is a writer And the founder of the magazine. Jeremy holds a Master's

Degree in Higher Education from University of Toronto-OISE and a Bachelors

Management Degree from the University of Surrey, England. This article is Jeremy

Staples tells, from starting in the early 2000s, zines occupied the author's life in

different ways. At first, he and a group of friends who supported local music and

community art started DIY zine, but later because DIY lacked rules and the content

was too free, he began to insist on self-publishing and printing text magazines. he also

found some local writers and painters to help him start the magazine workshop. he

created zines because she wanted more people to understand the magazine culture. "If

you're a creator yourself, I implore you-dream with your eyes open, step away from

the TV, put your dreams down on paper and start writing and scribbling your own

revolution! "(Staples, Jeremy) This is the last sentence in the source, which is also my

favorite sentence, is consistent with the idea I want to present in essay, so I want to

use this resource in my essay.

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Buchanan, Rebekah, and Lisa S. Fink R.W.T. "Zines in the Classroom: Reading Culture."

English Journal​, vol. 102, no. 2, 2012, pp. 71-77​. ProQuest​,

https://login.ezp.pasadena.edu/login?url=https://search-proquest-com.ezp.pasadena.ed

u/docview/1315166545?accountid=28371​.

Dr. Rebekah Buchanan teaches English Education, Basic Writing, and Professional

Writing Courses, and leads a Harry Potter Study Abroad course. Her research focuses

on feminism, activism, and literacy practices in youth culture, specifically through

zines and music. Buchanan, Rebekah, and Lisa S. Fink RWT The author briefly

introduces Zine and Zine culture, and introduces the introduction of Zine into ELA

Classroom to solve several methods of NCTE / IRA and Common Core. They also

talked about "What is Zine", "When did Zines start?", "Reading Zines in the

Classroom" and "Examples of Zines in the Classroom" are very important for us to

understand the culture of zines, So I will use this source in my essay.